103年第1學期-5128 莎士比亞在亞洲 課程資訊

評分方式

評分項目 配分比例 說明
In-Class Participation 40
Oral Report 30
Final Essay 30

選課分析

本課程名額為 10人,已有10 人選讀,尚餘名額0人。


登入後可進行最愛課程追蹤 [按此登入]。

授課教師

蔡奇璋

教育目標

The students will be guided to explore 1.the universality of Shakespeare’s plays through an issue-based approach. 2.the (re-)presentations of Shakespeare’s plays on stage with Asian theatrical traditions. 3.the significance of Shakespearean productions in Asia within the context of inter-cultural / cross-cultural performance theories.

課程概述

Over the last few decades, more and more theatre practitioners in Asian countries, including Japan, China, India, Korea, and Taiwan, have come to recognize the dramatic power of Shakespeare’s plays, and use the theatrical skills they are trained with to penetrate and interpret what they regard as the core of the Bard’s dramaturgy; among them are Wu Xing-guo in Taiwan with Beijing Opera traditions, Ninagawa in Japan with features of the Kabuki, and Indian groups with performance styles of Khata Khali. Drama researchers such as John Russell Brown and Richard Schechner have observed this uprising trend and tried to explore the phenomenon in their books with trans-political and cross-cultural perspectives. Very often productions presented by these enthusiastic Asian theatre practitioners can be seen not only as an index to reveal the intrinsic universality of Shakespeare’s dramatic creation, but also as a signal to indicate Asia’s ambition of getting located or re-located near the center of the world map. This course aims to investigate into the cross-cultural combination of William Shakespeare’s dramatic texts and the theatrical conventions of certain Asian countries. With the help of the dramatic and cultural theories developed by renowned scholars such as Brown, Schechner, Bharucha, and Fischer-Lichte, students of this course will be guided to examine the relationships between cultural presentations and representations, and hence cultivate a better understanding of the new possibilities of presenting Shakespeare’s plays with Asian approaches.

課程資訊

參考書目

1.The RSC Shakespeare Complete Works, ed. by J. Bate and E. Rasmussen (2007), London: Macmillan
2.The Cambridge Companion to Shakespeare Studies, ed. by S. Wells (1986), Cambridge University Press
3.New Sites for Shakespeare: Theatre, the Audience, and Asia, J. R. Brown (1999), Cambridge University Press
4.The Intercultural Performance Reader, ed. by P. Pavis (1996), London: Routledge
5.Theatre and the World: Performance and the Politics of Culture (1993), London: Routledge
6.The Twentieth-Century Performance Reader, ed. by M. Huxley and N. Witts (1996), London: Routledge
7.Shakespeare: A Life, P. Honan (1998), Oxford University Press
8.Looking at Shakespeare: A Visual History of Twentieth-Century Performance, D. Kennedy (1993), Cambridge University Press

開課紀錄

您可查詢過去本課程開課紀錄。 莎士比亞在亞洲歷史開課紀錄查詢