100年第1學期-4186 藝術哲學專題研究:審美態度 課程資訊

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評分項目 配分比例 說明
期末報告 100

選課分析

本課程名額為 5人,已有1 人選讀,尚餘名額4人。


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授課教師

史偉民

教育目標

指導學生了解「審美態度」理論的歷史發展及所牽涉的理論爭議

課程資訊

參考書目

1. Townsend, Dabney. (1987). From Shaftesbury to Kant: The Development of the Concept of Aesthetic Experience. Journal of the History of Ideas, 48 (2), 287-305

2. Stolnitz, Jerome. ( 1978). The Aesthetic Attitude in the Rise of Modern Aesthetics. The Journal of Aesthetics and Art Criticism, 36 (4), 409-422.

3. Bullough, Ed. (1963). Psychical Distance as a Factor in Art and an Aesthetic Principle, reprinted in M. Levich, ed. Aesthetics and the Philosophy of Criticism, 233-254.

4. Dawson, Sheila. (1961). Distancing as an Aesthetic Principle. Australasian Journal of Philosophy 39 (2): 155 – 174.

5. Stolniz, Jerome. (1960). Aesthetics and Philosophy of Art Criticism. 34ff.

6. Vivas, Eliseo. (1937). A Definition of Esethetic Experience, Journal of Philosophy, 628-634.

7. Aldrich, Virgil. (1963). Philosophy of Art. 19-27

8. Dickie, George. (1964). The Myth of the Aesthetic Attitude. American Philosophical Quarterly, 1 (1), 55-65.

9. Mitscherling, Jeff. (1988).“The Aesthetic Experience and the Truth Of Art. British Journal of Aesthetics, 28, 28-39.

10. Kemp, Gary. (1999). The Aesthetic Attitude. British Journal of Aesthetics, 39(4), 392-399.

11. Feezell, Randolph M. (1985). Thinking About the Aesthetic Attitude. Philosophical Topics, 13, 19-32.


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