102年第2學期-5127 歷史小說 課程資訊

評分方式

評分項目 配分比例 說明
weekly response papers 10 Written to engage with the chapter readings and/or handouts
essays, short 20 Analysis paper of a key literary theory figure
essay, longer 30 Research project
Presentations (weekly) 20 Based on assigned pages from the readings
Final 20 Based on research project

選課分析

本課程名額為 10人,已有3 人選讀,尚餘名額7人。


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授課教師

Thomas Argiro

教育目標

1. Students will gain an understanding of how historical fiction has served as a literary response to the various complications of politics, cultural difference, social change, ideology and history itself in American society. They will demonstrate this ability in research papers, response papers, in presentations, and in daily classroom discussions and in-class work. 2. Students will develop the ability to understand the particular literary language of these various historical fictions, while engaging with theoretical approaches specific to understanding how historical fiction develops forms of rhetorical and critical discourse that are in turn significant to issues of literary analysis and interpretation. They will demonstrate this ability in research papers, response papers, in presentations, and in daily classroom discussions and in-class work. 3. Students will demonstrate a comprehension of the scope of historical fiction in American literature, reflecting its development as a genre that incorporates historical moments indicative of cultural zeitgeist of particular eras. They will demonstrate this comprehension in research papers, response papers, in presentations, and in daily classroom discussions and in-class work. To be continued below.

課程概述

This course will present a selection of literary works that focus on significant historical events and their respective conditions, taken from several periods of American fiction. Historical fiction is as old as the Homeric Epics in the Western tradition, and while Sir Walter Scott is considered the first true historical novelist on either side of the Atlantic, since his time historical fiction has evolved to include works produced during every literary period since Romanticism, in both the British and American traditions, extending to Postmodernism and beyond. This course will examine select novels ranging across these periods in American fiction, including works by Nathaniel Hawthorne, Charles W. Chesnutt, Willa Cather, John Dos Passos, Ernest Hemingway, E. L. Doctorow, Susan Daitch and Jerome Charyn. Of particular interest will be the ways in which literature draws on and reconfigures historical personages and their lived experiences as a means of producing specific rhetorical gestures, directed at reinterpreting history via literature.

課程資訊

參考書目

Nathaniel Hawthorne, The Blythedale Romance (1852); Charles W. Chesnutt, The Marrow of Tradition (1901); Willa Cather, A Lost Lady (1923); John Dos Passos, The 42nd Parallel (1930); Ernest Hemingway, For Whom the Bell Tolls (1940); E.L. Doctorow, Ragtime (1975); Susan Daitch, L.C. (2002); Jerome Charyn, Johnny One-Eye: A Tale of the American Revolution (2008)

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