104年第2學期-7000 早期樂器演奏風格與詮釋 課程資訊

評分方式

評分項目 配分比例 說明
weekly assignments 30
writing of classical cadenzas 10
midterm performance with analysi 30
Final performance of Classical concerto with cadenzas 30

選課分析

本課程名額為 70人,已有5 人選讀,尚餘名額65人。


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授課教師

Mark Dannenbring

教育目標

PERFORMANCE PRACTICE: FREE ORNAMENTATION AND CLASSICAL CADENZAS This course extends performance practice to creating free ornamentation for solo movements of baroque works, writing and performing preludes and classical cadenzas. Adagios were considered the most challenging movements for baroque players. A preliminary knowledge of the first semester course is assumed before students can undertake this course. The emphasis is placed on performance, learning how to improvise in a baroque or classical manner by first following examples written by the masters and eventually gaining an ability to perform in like manner. The sessions will include the following: 1.Improvising simple melodies. 2.Observing examples in the literature: a.Vivaldi b.Handel c.J. S. Bach d.Telemann’s Methodical Sonatas (performance of one) 3.Free ornaments to Adagios 4.Studying and performing Preludes 5.Classical cadenzas Sources: Music, treatises, Free Ornamentation in Woodwind Music (Mather and Lasocki), The Classical Woodwind Cadenza (Mather and Lasocki) Assessment: Class assignments and attendance 30%; Midterm exam: Performance of Adagios and analysis of Sonata 30%; writing of cadenzas 10%; Final: Classical Concertos and their cadenzas 30%.

課程資訊

參考書目

Music, treatises, Free Ornamentation in Woodwind Music (Mather and Lasocki), The Classical Woodwind Cadenza (Mather and Lasocki)

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