112年第2學期-0166 文討:非洲之音:音樂與身份探索之旅 課程資訊

評分方式

評分項目 配分比例 說明
Attendance and Participation 20
Midterm 25 Group presentation
Final 25 Written Report
In-Class Assignment and Quizzes 15
Homework 15

選課分析

本課程名額為 25人,已有32 人選讀,尚餘名額-7人。


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授課教師

林 璇

教育目標

This course provides an in-depth exploration of various African music genres, including traditional, popular, and contemporary forms. Students will discover the historical, cultural, and social contexts that shape the development and evolution of African musical traditions. Through a combination of lectures, listening exercises and discussions, students will gain a nuanced understanding of the unique musical landscapes across different regions of Africa

課程資訊

參考書目

Handouts:

Dontsa, Luvuyo. "Intonjane Music: A Forum of Identity Formation for Xhosa Women." Music and Identity: Transformation and Negotiation, edited by Eric Akrofi et al., Sun Press, 2007, pp. 382-400.

Waterman, Christopher. "Big Man, Black President, Masked One: Models of the Celebrity Self in Yoruba Popular Music in Nigeria." Playing with Identities in Contemporary Music in Africa, edited by Mai Palmberg and Annemette Kirkegaard, Elanders Gotab, 2002, pp. 19-35.

Collins, John. "The Generational Factor in Ghanaian Music: Concert Parties, Highlife, Simpa, Kpanlogo, Gospel, and Local Techno-Pop." Playing with Identities in Contemporary Music in Africa, edited by Annemette Kirkegaard, Elanders Gotab, 2002, pp. 60-75.

Durán, Lucy. "The Kora- From West Africa to The World Stage." Celebrating Art and Music: the SOAS collections, edited by Anna Contadini, SOAS, University of London, 2017, pp. 12-29.

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