114年第2學期-3350 韓國當代藝術:探索身份與創新 課程資訊
評分方式
| 評分項目 | 配分比例 | 說明 |
|---|---|---|
| Participation in workshops and discussions (參與工作坊與討論) | 30 | Active and insightful contributions to workshops, class discussions, presentations, and group activities. |
| Midterm presentation(期中發表) | 20 | Halfway through the course, students will present a summary of the progress they have made in their workshops. This will involve showcasing artistic works or ideas they have developed, with a focus on how they’re engaging with course themes. The evaluation will focus on creativity, depth of engagement with the content, and presentation skills. |
| Final presentation (期末發表) | 50 | The final art project will synthesize all the workshop content created throughout the course. Students will present a cohesive body of work, reflecting their learning and creative development. This can be a combination of artistic pieces, performances, or a multimedia |
選課分析
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授課教師
邢隣教育目標
Exploring and discovering themselves, students draw inspiration from Korean contemporary art. Through hands-on workshops, they engage with themes like identity, artistic resistance, shamanism, popular culture (including K-pop), and new media, while learning the fundamentals of visual art. Students create individual and collaborative artworks and participate in a final exhibition, developing their own artistic voice and connecting personal ideas to broader cultural and social contexts.
課程資訊
基本資料
選修課,學分數:0-2
上課時間:二/7,8
修課班級:共選修1-4
修課年級:1年級以上
選課備註:英語授課。上課地點:博雅書院習齋A區
教師與教學助理
授課教師:邢隣
大班TA或教學助理:尚無資料
Office HourLocation: Xizhai Hall of the Poya School
授課大綱
授課大綱:開啟授課大綱(授課計畫表)
(開在新視窗)
參考書目
Han, K. (2024, December 10). Nobel Lecture. Nobel Prize in Literature. Nobel Media. [https://www.nobelprize.org/uploads/2024/12/han-lecture-english.pdf]
Park, Sunyoung. “The Colonial Origin of Korean Realism and Its Contemporary Manifestation.” Positions: East Asia Cultures Critique 14, no. 1 (2006): 165-192.
Park, Chan-kyong. “'Criticism' in Korean Art and the 'Interests' of Artists: Minjung Art and the Present.” Journal Bol 10 (2008): 20-45.
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