韓國當代藝術:探索身份與創新

115學年第1學期 英語授課 選修課 2 學分
授課大綱
35
名額
0
已選
35
餘額
登記 14 人 · 選上機率 99.9%
上課時間
二/7,8
授課教師
Office Hour:Xizhai Hall of the Poya School 博雅書院 習齋
修課班級
共選修1-4 · 1年級以上
課程資訊
英語授課。上課地點:博雅書院習齋A區
選課分析

Participation in workshops and discussions (參與工作坊與討論) 40 Active and insightful contributions toworkshops, class discussions, presentations,and group activities.
Midterm presentation or interview 20 Mid-term Personal Interview: Halfway through the course, students will complete a one-on-one interview summarizing their workshop progress. Students will showcase their artistic works or ideas, highlighting their engagement with course themes.
Final Art Project 40 The final art project will synthesize all theworkshop content created throughout thecourse. Students will present a cohesive bodyof work, reflecting their learning and creativedevelopment. This can be a combination ofartistic pieces, performances, or a multimedia

In this course, students will explore and discover their true selves by drawing inspiration from Korean contemporary art. Through hands-on workshops, they will engage with themes such as identity, artistic resistance, shamanism, popular culture (including K-pop), and new media, all while learning the fundamentals of visual art. By creating both individual and collaborative artworks and participating in a final exhibition, students will develop their unique artistic voices and connect their personal ideas to broader cultural and social contexts. The main lectures and creative workshops are led by Korean contemporary artist Rin Hyeong (Lynn Hyeong), accompanied by Wang Chung-ming (王崇名), who provides compassionate guidance focused on the students' character education and personal growth.

Han, K. (2024, December 10). Nobel Lecture. Nobel Prize in Literature. Nobel Media.[https://www.nobelprize.org/uploads/2024/12/han-lecture-english.pdf]
Park, Sunyoung. “The Colonial Origin of Korean Realism and Its Contemporary Manifestation.”Positions: East Asia Cultures Critique 14, no. 1 (2006): 165-192.
Park, Chan-kyong. “'Criticism' in Korean Art and the 'Interests' of Artists: Minjung Art and thePresent.” Journal Bol 10 (2008): 20-45.