98年第2學期-2394 建築設計習作（八） 課程資訊

評分方式

評分項目	配分比例	說明
各組老是自行決定	100

教育目標

●蘇喻哲老師－以「環境整體觀」為主軸的建築創作 　　”環境”是空間設計的能量來源，鑑於長久以來台灣建築系的同學，普遍性的缺乏由環境中萃取線索發展設計的能力，期待　　　經由這個Studio的練習，能一探究竟，建立初步的基礎。 設計題目：「陽光草坪 + 路思義教堂」的四分之三　　空間協奏曲　第一樂章：裝置藝術　第二樂章：路思義教堂的增建 第三樂章：住宅更新全面改建計畫“eVolo” Housing competition – Housing for the 21st Century（www.evolo-arch.com）eVolo – to study, to develop, to evolve, to fly away….. ●葉朝憲老師－A DURABLE INSTABILITY　　An adaptation of space Dualism has shaped Western culture since the time of Plato, through Augustine and René Descartes, up to the present day. Dualism can mean the tendency of humans to perceive and understand the world as being divided into two categories. A logical thought process inherent in the dualistic relationship is necessary to justify exploitation and oppression of THE OTHER. Therefore, to cognitively and practically adopt the mode of Western dualisms is often a dangerous and oppressive way of looking at the world. ●何炯德老師－生命體空間 Organismic Space 　　延續之前有關於生物對於建築設計的影響，本學期將把重心偏重於「形」的研究與開發。將「形」以生命體、有機體對待，讓「形」將實質造成形體變化的組織、機構、系統等力量連結起來不再隱藏，形體的塑造成為生命運作的一環。 ●蘇睿弼老師－Ｄadu Hut　大肚小屋－開放系技術的在地構築 　　Ｄadu Hut（大肚小屋）並不只是一棟獨立住宅的設計，它希望同學重新整合並利用這些開放系的技術，來塑造自己的空間與建築。本次設計題目，擬以大肚山周邊地區作為觀察與研究的區域，將藉由空間地景的閱讀、建築相關工廠的參訪來暸解開放系技術的現況，並透過Jean Prouve、Charles & Ray、６０年代加州現建築等相關案例的分析，來掌握工業化製材的構築方式。此外，將安排參觀中部地區農舍別墅的實際案例，而每位同學們在經過觀察與分析的過程後，必須在大肚山周邊地區中，選擇出適當的基地，以完成自己夢想中的Ｄadu Hut（大肚小屋）。

基本資料

必修課，學分數：0-6
上課時間：一/6,7,8,9,四/2,3,4,5,6,7,8,9
修課班級：建築系4
修課年級：年級以上
選課備註：

參考書目

●蘇喻哲老師－以「環境整體觀」為主軸的建築創作
自然與生態 \克里希那穆提 \方智出版社股份有限公司
論關係 \克里希那穆提 \方智出版社股份有限公司 \廖世德譯
Thirteen Ways －Theoretical Investigations In architecture
Robert Harbison, The M.I.T Press, Massachusetts Institute of Technology Cambridge, Massachusetts 02142

●葉朝憲老師－A DURABLE INSTABILITY　　An adaptation of space
We are now well into the 21st Century. We can take this opportunity to step back and reassess the zeitgeist of now. This can clarify contemporary essentials of architecture and the importance of new relationships as we step into the future. One potent point of departure could be the boundaries and adaptation of space. This might include the removal of boundaries, as well as their clarification.

Any part of architecture’s inherent multiplicity of adjacencies can become a topic:

complex / simple
fake / authentic
active / passive
symbolic / pragmatic
monumental / mundane
individual / public
program / form (form / function)
physical / virtual
contemporary / classical
past / future
harmony / discord
global / local
art / architecture
natural / artificial
…………………………………………..

It might be argued that contemporary architecture is a rethinking and perhaps softening of those borders. Perhaps the oxymoron can represent a productive new paradigm. Can these binaries lead to a duality capable of blurring these boundaries? How can the unexpected interdependency of extraordinary spaces create a communal/symbiotic dialogue between adjacencies?


●何炯德老師－－生命體空間 Organismic Space
Evolution Architecture, Eugene Tsui, ©1999 John Wiley & Sons, Inc.
Emergence - the connected lives of ants, brains, cities and software, Steven Johnson, Scribner 2001
Emergence: Morphogenetic Design Strategies, Architectural Design Vol 74, 2004
Genetic Architectures II :digital tools & organic forms, SITES books, 2005
Morpho-Ecologies, Michael Hensel and Achim Menges, AA, 2006
Responsive Volatility, 活潑建築, 何炯德編著, 東海建築叢書17, 2007
生物世界的數學遊戲Life’s Other Secret, Ian Stewart, 蔡信行譯