98年第1學期-5378 管樂曲目與風格研究 課程資訊

評分方式

評分項目	配分比例	說明
出席率及作業	100	Grade will be based mostly on performance projects but a component of the grade will also be taken for class participation and weekly assignments.

教育目標

This semester will deal with works and analytical techniques relevant to performing early music. The baroque literature covered is categorized by area: French, Italian and German. The additional material is by period. Review of literature involves performance of various works as well as how to make intelligent interpretive decisions. Therefore, analysis, historical performance practices, treatises, and editions all have a bearing on the study of any given work. Seminars will involve lecturing on various works, development of interpretive decisions and the performance of the works. All sessions will include listening and identifying salient characteristics of each work. The students will also be asked to prepare performances of various styles with justification for interpretive decisions. In addition there will be short reading assignments and analytical projects dealing with topics discusses in class. Grade will be based mostly on performance projects but a component of the grade will also be taken for class participation and weekly assignments. Composers will be taken from the following: La Barre, Hotteterre, Couperin, Vivaldi, J.S. Bach, Handel, Telemann, C.P.E. Bach, Quantz, Stamitz, Mozart, Beethoven and other selected Romantic composers for various instruments.

課程概述

WOODWIND LITERATURE FOR MASTER STUDENTS This course is not a survey of woodwind literature, but rather an in depth study of selected literature to develop a keener sense of how to prepare works for performance. Classes will utilize all aspects of your musical studies: analysis, music history, performance practice, and performance. We will also look at various analytical techniques available to understand the music of various periods, especially contemporary music or music of the Twentieth Century. This is a two-semester course. The first concentrates on a review and clearer expose of analytical techniques used for early music through the Romantic period. The second semester will place emphasis on the Twentieth Century and beyond and will be an introduction to various analytical practices to attempt to grasp the process and interpretation of that music. If there is additional time, we will begin to explore some of the great chamber works for woodwinds. Attendance is required for all sessions. The class is extremely fast paced. If you must be absent you are expected to contact a fellow student or the instructor to be prepared for the next session. There will be some daily projects to help clarify ideas. There will also be long term projects that will determine much of your grade. They include the following: 20 annotated cards per semester of selected literature pertaining to that semester. Analytical projects and performance of the chosen works to demonstrate your ability to communicate the musical thoughts to an audience. (Works will be chosen by each student.) Program notes of various literature which may serve for the final master recital.

基本資料

必修課，學分數：2-2
上課時間：
修課班級：音樂碩1,2
修課年級：年級以上
選課備註：木管組, TBA

參考書目

Sources for Graduate Woodwind Literature are based on literature itself and some analytical writing of Dr. Dannenbring